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Showing posts with label history of art. Show all posts
Showing posts with label history of art. Show all posts

Thursday, January 19, 2012

History of Art:Edward Darley Boit (1840-1915)

Venice- Afternoon on the Grand Canal,1911




Venice- Off San Giorgio



Rio di San Barnaba, Venice,1911



A Street in Arezzo,1911



Venice,1910



Venice- Afternoon on the Campo San Trovaso,1910



Biarritz,1893




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The AMICA Library-Watercolours by Boit

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Like many wealthy Bostonians, Edward Darley Boit traveled frequently to Italy, eventually purchasing a villa in Cernitoio near Florence around 1897. Venice was a favorite destination for Americans in the late nineteenth and early twentieth centuries; Boit first visited the city in 1867. The bright colors and watery environment were conducive to his fresh, spontaneous style, characterized by broken brushwork, as in this view of a Venetian square.

Although living the life of an expatriate, Boit frequently exhibited his European watercolors in New York and Boston, occasionally in joint exhibitions with his more famous friend and colleague John Singer Sargent. A review of his 1912 exhibition at New York's Knoedler Gallery noted, "In Italy, which Mr. Boit has made his second country, he delights in representing picturesque aspects of Venice, Bologna, and Florence; with a rare felicity he expresses the gaeity of the buildings, the streets, the canals bathed in sunlight...."




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Edward Darley Boit (1840-1915) was an fellow expatriate American Painter and his wife Mary Louisa Boit were friends of Sargent. They lived for periods in Boston, in Rome, and in Paris. Most likely they met in Paris although it's not known exactly when. It was in Paris that he painted the picture. Like Sargent, they were prominent members of the American artistic community and therefore shared quite a bit of camaraderie. (read more)

Daughters of Edward Darley Boit  by John Singer Sargent


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The four Daughters of Edward Darley Boit are, from left to right: Mary Louisa (1874-1945, about 8 years old at the time), Flourennce (1868-1919, about 14 yrs old), Jane (1870-1955, about 12 yrs old), and Julia (1878-1969, about 4 yrs old). None of the girls ever married, and both Flourennce and Jane, the two rear daughters, became to some extent mentally or emotionally disturbed. Mary Louisa and Julia, the front two girls, remained close as they grew older, and Julia, the youngest, became an accomplished painter in water-colors
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Saturday, January 22, 2011

Perino del Vaga-Tra Raffaello e Michelangelo (p.2)

Update 2

San Giorgio uccide il drago e figure mitologiche
Firenze, Uffizi






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La Carita Romana, Fresco



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Tarquinius Superbus Founds the Temple of Jove on the Capitol-Virtual Uffizi




La Justice de Séleucos
Fresco transferred to canvas
Removed in 1830 from Palazzo Baldassini in Rome together with the other fresco




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The Fall of the Giants (1531-33)
Fresco, 640 x 920 cm
Palazzo dei Principe, Genoa
La Villa del Principe, Palazzo di Andrea Doria a Genova-Wiki
clickable (1300x765)






La Caduta dei Giganti









Giove che folgora i Giganti ribelli
Palazzo Doria Pamphili- Villa del principe
Genova



Bonaccorsi Pietro detto Perin del Vaga



Giove che fulmina i Giganti-(stampa)
Anderloni Faustino



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Battaglia tra Centauri e Lapiti 1542-1543 circa
affresco strappato applicato su areolam, cm 70 x 90
Roma, Caserma Giacomo Acqua - Proprietà dell’Accademia di Belle Arti di Roma



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The Raising of Lazarus
Fresco transferred to canvas




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© Trustees of the British Museum

Perino del Vaga- formerly attributed to Niccolò del Abbate (1509.12 - 1571)Studies for a Picture of a Lady playing the Virginals




Inscribed funerary altar or base (Verso-Recto)
Pen and pencil sketches (including a head in red chalk) in the manner of Raphael (Ashby).




to be continued

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Friday, January 21, 2011

History of Art-Perino del Vaga (1)

Update








Perino del Vaga (aka Pietro Buonaccorsi)
Italian Mannerist Painter, ca.1501-1547
Studied under Raphael and Ridolfo Ghirlandaio




Galatea
Galleria Doria-Pamphili, Rome, Italy



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ARTcyclopedia

WGA

National Gallery of Art, Washington, DC


The Artchive


The Holy Family




Madonna and Child
Palazzo Rosso, Genoa




Holy Family with the Young Saint John and Saint Anne





The Holy Family with the Infant Saint John the Baptist
ca. 1524–26 oil on wood




The Holy Family c. 1540
Oil on panel, diameter 85 cm
Liechtenstein Museum, Vienna





Madonna col Bambino,
olio su tela, Roma, Palazzo Montecitorio




The Holy Family With St.John The Baptist,Unfinished






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Siciolante da Sermoneta Girolamo-The Holy Family
The painting is after the composition of Perino del Vaga (National Gallery of Victoria, Melbourne).





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The Fall of the Giants 1531-33
Fresco, 640 x 920 cm
Palazzo dei Principe, Genoa





Adoration of the Child 1534
Oil on panel transferred to canvas, 274 x 221 cm
National Gallery of Art, Washington, DC




Noli me tangere
Museo del Prado




Lamentation 1530s
Oil on panel, 197 x 145 cm
The Hermitage, St. Petersburg




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The Royal Collection, London, UK

The Good Thief (St Dismas)c.1520-5




The Bad Thief (Gestas)c.1520-5






to be continued...
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Wednesday, October 27, 2010

James McNeill Whistler

* (Arch.Update)


James McNeill Whistler
American Tonalist painter, printmaker & etcher, 1834-1903

Art Links

James McNeill Whistler by John White Alexander
James Abbott McNeill Whistler by William Merritt Chase



Nocturne: the Solent 1866




Nocturne in Blue and Gold: Valparaiso Bay,1866




Nocturne, Blue and Silver – Chelsea 1871



Nocturne in Blue and Green, 1871



Nocturne:Blue and Silver - Cremorne Lights,1872



Nocturne:Blue and Gold - Southampton Water,1872




Nocturne: Grey and Gold,Westminster Bridge,1871-1872




Nocturne Blue and Silver - Bognor,1872-76



Nocturne: Blue and Gold - Old Battersea Bridge 1872-1877




Nocturne: Grey and Silver,1873-1875




Nocturne in Black and Gold: The Falling Rocket 1875




Nocturne Grey and Gold - Chelsea Snow,1876



Nocturne: Trafalgar Square - Chelsea Snow,c1875-c1877




Nocturne, 1870-1877




Nocturne: Blue and Gold - St Mark's, Venice,1879-1880




Nocturne in Blue and Silver- The Lagoon, Venice,1880




Nocturne: Silver and Opal 1880-1889




Nocturne: Grey and Gold - Canal, Holland,1883-1884






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